Posts Tagged ‘repertory’

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Carlo’s Choreography Comes to a Close

May 18, 2012

A Few Notes from the Choreographer

Photos in this post are courtesy of Kyle Georgina Marsh.

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Yes, we’re learning more repertory!

February 27, 2012

Tomorrow marks day three of a marathon of sorts learning the newest piece to be studied and performed by the Jerusalem Academy Dance Ensemble.

We are working on a section from Crystal Pite‘s Matter of the Maker, taught by Sharon Vazanna. The piece was originally created for the Cullberg Ballet, from Sweden. Though learning the section so quickly is temporarily taking a toll on my body, my curiosity about the piece and the collateral research both trump the soreness in my hamstrings, glutes, and fibularis muscles. I’m so grateful to be learning this repertory!

I remember seeing Pite’s Ten Duets on a Theme of Rescue performed by Cedar Lake Contemporary Ballet a few years ago at the State Theater in New Brunswick. Here is a video trailer of the piece I had seen those years ago.

 

 

This is really some winter “break.” At least I’ll be ready to hit next week’s start of the Academy’s Spring Semester head on!

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Between Einstein and Cohen

December 1, 2011

My favorite things to find in my iPhoto library are those really short video clips that were taken by accident. I don’t know why they’re there or why I don’t delete them, but by now I have come to appreciate accidentally capturing a moment.

 

 

 

In the spirit of randomly terrible videos, I recorded myself moving from the fourth floor of the Boyar building at Rothberg to the area just outside the Forum at Hebrew Univeristy. I ran, I walked, I passed some people. I suppose my intent is to capture what the space between those places is like, and what it’s like to move through it. I disregarded the stillness of the camera, so feel free to stop watching it if it makes you sick. Or better yet, just fast forward to the end.

 

 

 

 

This statue(?) can be found at at least two locations on campus. I remember seeing it the first day, reading the quote, and not thinking too much of it. But today, I related it to a piece I’m learning in Repertory 4. It’s Idan Cohen’s Mad Siren, which is actually showing at the Suzanne Dellal Center in Tel Aviv the day after tomorrow.

 

 

In the repertory class, Melanie tells us that there’s never a movement that is in complete balance. She says that the dancers in the piece are constantly researching the limits of the movement, even in performance. Essentially, the more we keep moving, and the further we go into the movement, the more easily we’ll be able to find balance, and the more interesting the movement will look.

Riding a bicycle implies that you’re actually trying to find balance through motion, and that it won’t just come to you. Going through the movement in Cohen’s repertory, we try to find more depth, length, and distance each time, never settling for complete equilibrium. What a great metaphor for life. Live, move, and research. Enough is never enough. Go forth! Etcetera.

 

This is a video I took of a recreational bicycle event that happened during one of my trips to Tel Aviv. Such a whimsical moment of staging, if I do say so myself.